Hello everyone. Many thanks to Justin Keogh and the 911 Blogger team for graciously allowing me to introduce myself and my new film.

My name is Richard and I’m an independent researcher/investigator of 9-11 related topics. Like most of you on this site, I am searching for the truth behind September 11, 2001.

Opinions differ as to what actually transpired that day. People have their suspicions, but we may never know who perpetuated this crime, or why. However, I AM certain we were all told that 9/11 would happen long BEFORE the event; the evidence is overwhelming and available for anyone to see.

I’m the creator of a film called 9/11 FORETOLD. This film examines the messages embedded in the Mass Media leading up to that fateful day. This is the first full-length documentary to explore these topics. This film is not just another documentary about 9/11, nor is it a “conspiracy theory,” but attempts something much more provocative.

How Did This 9/11 Truth Art Make It Into The Museum?

Published on Nov 19, 2014

The National September 11th Memorial and Museum is a shrine to the official narrative, so why did they want Anthony Freda's 9/11 Truth Art?

https://www.youtube.com/watch?v=TYy351BnCHQ

November 12, 2014

In an exclusive statement, Jeff Osborne breaks down the creative process behind the video, including Young Money's brief guidelines. Read in full below:

"The reason I'm not apologizing is because neither I nor the video are anti-semitic. I can't be sorry for something I'm being falsely accused of. The video represents Young Money as a generic totalitarian regime, which takes images and symbols from several countries and time periods, one of which is Nazism. As an artist I have two voids to fill. First, meeting the demands of the client and two, creatively applying my own voice where I can. The Young Money team came to me with a set of parameters in which they exactly stated -- something black and white, dark, ominous, with hints of imagery like Sin City or Metalocalypse. 

As far as applying Nazi imagery, 100% me. Whether it was interpreted that way to their team, I have no idea.  Not once did we ever sit in the same room, nor did they ask if I applied a deeper hidden meaning. I simply send them the video and they reject, approve, or ask for changes.

I made this creative decision to show the juxtaposition of the most iconic form of totalitarianism and ways it still exists today, specifically in politics, the military-industrial complex, censorship, and intense monitoring and tracking of our citizens. It has nothing to do with glorifying Hitler or the Holocaust. People think it's trivializing the Holocaust because the song talks about sex, but I have no control over the lyrical content. I had an opportunity and an outlet, which I knew would reach millions of people, and wanted to make a statement. The term New World Order isn't just an edgy pop culture reference. It is very real and was a term used by president George H.W. Bush, ironically 10 years to the day before 9/11.

We have a government that tracks us, monitors us, has programs dedicated to controlling our minds and testing diseases on us, and no one asks any questions. People aren't privy to things like MK Ultra, the School of the Americas, the fact that the Bush family owned Securacom, which was in charge of security for the World Trade Center, Dulles Airport, and United Airlines. The fact that in every recent war, the opposition leader has worked for the CIA. I'm not saying I know all the facts, but do people really think there isn't more to the story? Look up from your smartphone and smell the fuckin' roses, I'm trying to help you! People vilify artists for using this type of imagery in their work as if they're part of the 1% club. Believe me, any artist who has brain cells know they're not in the club. In my opinion it's not glorification, it's a subliminal warning because you can't openly say these kinds of things. Me? I don't give a shit. I have no corporate interests, PR team, or image to maintain.

https://www.youtube.com/watch?v=p5Ac7ap_MAY

Princes of the Yen: Central Banks and the Transformation of the Economy

Queuepolitely

"Only Power that is Hidden, is Power that Endures."

November 5, 2014

'Princes of the Yen' is a follow-up to the successful underground film produced by Queuepolitely, a collective of filmmakers and artists, some known, some unknown.

This is their own description of this film, based on a book by the UK's University of Southampton, Professor Richard Werner, famous for coining the term, "Quantative
Easing."

"Central Banks are some of the most secretive and misunderstood institutions in the world. What powers do they wield? Who’s interests do they serve? How do their actions affect our everyday lives?

"Set in 20th Century Japan, the documentary explores the role and power of Central Banks, and how they can be used to change a country's economic, political and social structures."

Film Reviews:

“Mastery of filmmaking. An engaging and dynamic narrative supported by visual