http://www.prisonplanet.com/articles/february2006/030206hollywoodbacklash.htm

The 9/11 movement has been lax in not anticipating the direction from which their most vociferous flak will be thrown. It's not government appointed commissions, politicians or Popular Mechanic debunking spreads.

The real counter-backlash is coming from TV movies and big screen blockbusters, serving up a diet of spoon fed propaganda that reinforces the official version of events.

A television movie about one of the doomed Sept. 11 airplanes was A&E's most-watched program ever, a sign that audiences may be ready for a coming spate of movie and TV projects dramatizing the terrorism of five years ago.
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Consider the very first made for TV movie about 9/11, called DC 9/11. A film which portrays president Bush on Air Force one on 9/11, exclaiming his frustration in not being able to have a fist fight with Osama bin Laden.

Now contrast that to the actual demeanor of Bush on the day of 9/11, doe eyed, unsure, taking the decision to read an upside down book about a pet goat for half an hour after he’s told about the biggest attack on America since Pearl Harbor.

It's pro-war, pro-government pro official version of 9/11 down to a tee.

And who wrote and produced the film? Lionel Chetwynd, a big establishment neo-con and government apologist, perhaps the most politically connected producer in the world today.

Chetwynd privately met with George Bush, Karl Rove and a bunch of top Republicans to have them vet the script before he shot the film.
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So the very first movie about 9/11 is made by a high level Bush administration stooge.
And the film wholeheartedly backs up lock step the official version of events.
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