Able Danger wraps up NY Run - (and some review blurbs)

http://www.abledangerthemovie.com/blog/

http://www.twoboots.com/pioneer/

Tue Sep 16 9pm
Wed Sep 17 9pm
Thr Sep 18 9pm

Critics say;

"NOIR ON ACID"
NY Times

"Paul Krik's stylish, darkly comic conspiracy thriller takes its title
from a classified military program alleged to have identified four 9/11
hijackers prior to the terrorist attacks, and borrows its gleaming B&W
look from THE MALTESE FALCON. The film is gorgeously photographed,
briskly paced and strikingly handsome despite an indie-sized budget."
Ken Fox
TV GUIDE
http://movies.tvguide.com/able-danger/review/295289

"A conspiracy theory-coffee-shop owner-alterna-journalist gets caught up
with a mysterious foreign woman on the run from the culprits behind the
9/11 cover-up in this surprisingly entertaining zero-budget film noir
that effectively mixes pseudo-Hitchcockian theatrics with a hefty dose
of contemporary lefty paranoia."
NEW YORK MAGAZINE
*Critics Pick*
Sara Cardace
http://nymag.com/listings/movie/able-danger/

"Able Danger is a slick debut feature.... An update of The Parallax
View... A cinematic x-ray of paranoid mindset... In the long shadow of
noir pastiche, complete with a femme-fatale turn by Elina Löwensohn"
FILM COMMENT MAGAZINE

"Krik uses flashes of dark comedy, an affection for the film noir genre
and the perfect eyebrow-half-cocked attitude towards his subject matter
to create a fast-paced and entertaining story... With its
black-and-white cinematography and visual imagination (the film mixes in
color dream sequences and text-overwritten surveillance footage)...
Krik's low-fi riff on the conspiracy thriller has a charm all its own"
Scott Macaulay
FILMMAKER MAGAZINE
http://www.filmmakermagazine.com/blog/2008/02/rotterdam-able-danger.php

"Knocks along with the steady heartbeat pace of a thriller and is
painted in the languid, low-contrast shadows of a noir."
Michele Orange
VILLAGE VOICE
http://www.villagevoice.com/2008-09-10/film/able-danger/

"Krik references film noir, rustling up some heavies and hardboiled
patter here and there. Ironically, the connection is intriguing, given
the wartime stew of anxieties that originally fostered the movies that
came to be known as noir; Krik¹s two main riffstones come from either
end of the lineage, The Maltese Falcon (1941) and Kiss Me Deadly
(1955)."
Nicolas Rapoid
THE L MAGAZINE
http://thelmagazine.com/print.cfm?content_id=4462

"Mildly surreal, mostly black-and-white homage to film noir, set in the
built-in ironic enclave of hipster Brooklyn. Able Danger is a smart and
all-too-conceivable conspiracy thriller that raises serious questions in
less-than-serious ways. Do we really think we know the entire truth
behind 9/11? If so, the movie shows a bridge it might want to sell
you"
Frank Lovece
THE FILM JOURNAL
http://www.filmjournal.com/filmjournal/reviews/article_display.jsp?vnu_conte
nt_id=1003849095

"Paul Krik¹s low-budget indie thriller Able Danger is nicely shot in
tinted b&w hi-def video, slickly mixed, scored and edited almost to the
point of being indistinguishable from this or that Bruckheimer TV show.
And Krik is a keen film student: Many of the film¹s images recall
Welles, Lang, Fuller, Mann, Kubrick, Frankenheimer­ you name it."
Steven Boone
SPOUT
http://blog.spout.com/2008/09/12/911-conspiracy-movie-for-hi/

"Shot in a high contrast black-and-white that milks maximum atmospheric
effect out of its wide, busy compositions and chiaroscuro lighting..."
Brandon Harris
HAMMER TO NAIL
http://www.hammertonail.com/?p=363

"Shot in black and white and reminiscent of classic '30s noir films,
Able Danger tracks a Brooklyn bookstore owner (based on the owner of Vox
Pop) and a European femme fatal over bridges and on bikes in the
dangerous search for 9/11 truth."
Robyn Hillman-Harrigan
FLAVORPILL
http://flavorpill.com/newyork/events/2008/9/11/abel-danger

Affirmation

From New York Magazine's review:

'...on the run from the culprits behind the 9/11 cover-up....'

That's right--'the 9/11 cover-up'.

Not 'a cover-up,' or 'a supposed 9/11 cover-up', but "THE 9/11 cover-up.'

Thereby, in these few words, not only acknowledging such a reality, but assuming that most of their readers will acknowledge it as well.