Interview with 9/11 feature film "Harodim" director Paul Finelli

Just two weeks ago the feature film "Harodim" was released in theaters in germany and austria. (german language) Actors are Travis Fimmel, Michael Desante and Peter Fonda.
See imdb entry:

I attented in a cinema in Hamburg to view it and think it's a great movie. A VOD release is soon to come, then as english version, too.

I did have some questions, and was able to ask the director and writer of "Harodim" some as blogger for the german Normally our blog has the intention to summarize 9/11 truth news for the german readership. As the questions had to be in english, I do publish the english version, too. I was able to ask him about the announced failure of "September Morn" also, and he presented is an interesting view about it.

Here it is:

(Q): Mr. Finelli, how did you come up with the idea of making a film like "Harodim"? What was your intention?

(A): The idea for a feature film aimed at investigating and highlighting some of the most important questions surrounding the events of 9/11 began to germinate for me as interest in the subject did for most of us who found the official explanation for these crucial events in modern world history simply not believable. It began as I watched the coverage of 9/11 that terrible morning in 2001 and grew from there. In short, broken down piece by piece, none of it made sense within the context of any reality we had come to know to that point. All political and national security ramifications aside, science itself is an impossible thing to refute and yet we saw it happen again and again in the official reports coming out of Washington and filtered through a ridiculously compliant mainstream media in the weeks, months and years that followed. My generation had seen something like this happen before during the Kennedy assassination and some of us refused to lay down for it again so easily a second time. As I watched the overwhelming response from millions of people worldwide across the internet questioning the official story, I knew that I was not so far wrong in my assessment of the real issues and motivations behind this world-altering tragedy. My intention for writing the story which became HARODIM stemmed primarily from a sense of anger that the same hidden power structure using the same covert machinations still held such an arrogant disregard and outright contempt for public perception as to so completely subvert the foundations of the empirical truths we all live by.