Edmonton Public Library YouTube Channel - http://www.youtube.com/user/edmontonpl?feature=watch
I don't know whether this is a possible good sign of Chris setting the stage for a real 9/11 coming out party, or proof that Hedges is playing a very skillful game of cherry picking reality.
"Yet we refuse, because we cannot think and no longer listen to those who do think, to see what is about to happen to us. We have created entertaining mechanisms to obscure and silence the harsh truths, from climate change to the collapse of globalization to our enslavement to corporate power, that will mean our self-destruction. If we can do nothing else we must, even as individuals, nurture the private dialogue and the solitude that make thought possible. It is better to be an outcast, a stranger in one's own country, than an outcast from one's self. It is better to see what is about to befall us and to resist than to retreat into the fantasies embraced by a nation of the blind".
"Human societies see what they want to see. They create national myths of identity out of a composite of historical events and fantasy. They ignore unpleasant facts that intrude on self-glorification. They trust naively in the notion of linear progress and in assured national dominance. This is what nationalism is about—lies. And if a culture loses its ability for thought and expression, if it effectively silences dissident voices, if it retreats into what Sigmund Freud called "screen memories," those reassuring mixtures of fact and fiction, it dies. It surrenders its internal mechanism for puncturing self-delusion. It makes war on beauty and truth. It abolishes the sacred. It turns education into vocational training. It leaves us blind. And this is what has occurred. We are lost at sea in a great tempest. We do not know where we are. We do not know where we are going. And we do not know what is about to happen to us".
This took place at Franklin Square in Philadelphia at the Occupy National Gathering.
By Chris Hedges
Posted on Sep 10, 2011
I arrived in Times Square around 9:30 on the morning of Sept. 11, 2001. A large crowd was transfixed by the huge Jumbotron screens. Billows of smoke could be seen on the screens above us, pouring out of the two World Trade towers. Two planes, I was told by people in the crowd, had plowed into the towers. I walked quickly into the New York Times newsroom at 229 W. 43rd St., grabbed a handful of reporter’s notebooks, slipped my NYPD press card, which would let me through police roadblocks, around my neck, and started down the West Side Highway to the World Trade Center. The highway was closed to traffic. I walked through knots of emergency workers, police and firemen. Fire trucks, emergency vehicles, ambulances, police cars and rescue trucks idled on the asphalt.
No Justice in Kafka's America
By Chris Hedges
June 13, 2011
"We no longer have freedom; there is only the appearance of freedom. We are consumed by an endless and vague war on terror in which the perfidiousness of our enemy, whose number, location and nature are never clearly defined, justifies the shredding of constitutional rights, torture, kidnapping, detentions without charges or trials and an occult-like battle against an absolute evil. And if you think the state intends to limit itself to the persecution of Muslims, especially once there is an increase in domestic unrest and instability, you know little about human history."
By Chris Hedges
Dec 27, 2010
The two greatest visions of a future dystopia were George Orwell’s “1984” and Aldous Huxley’s “Brave New World.” The debate, between those who watched our descent towards corporate totalitarianism, was who was right. Would we be, as Orwell wrote, dominated by a repressive surveillance and security state that used crude and violent forms of control? Or would we be, as Huxley envisioned, entranced by entertainment and spectacle, captivated by technology and seduced by profligate consumption to embrace our own oppression? It turns out Orwell and Huxley were both right. Huxley saw the first stage of our enslavement. Orwell saw the second.
Empire examines the symbiotic relationship between the movie industry and the military-industrial complex. Featuring interviews with Oliver Stone, Michael Moore, and Chris Hedges.
By David Edwards
Thursday, December 16th, 2010
As President Barack Obama was unveiling a new report on progress of the war in Afghanistan, a lineup of high-profile dissenters joined in an act of civil disobedience that ended with about 135 demonstrators being arrested outside the White House Thursday afternoon.
The number of arrestees came by way of an attorney for one of the defendants, who spoke to Raw Story.
Chris Hedges "was there" and saw Building 7 "go down" and "it does" look like a controlled demolition, but he's not sure it was.
On February 4, 2009, Chris Hedges was on hand at the Hammer Museum in Westwood, CA, to participate on a panel entitled "Homegrown Hatred."
(Watch the whole discussion here: http://hammer.ucla.edu/watchlisten/watchlisten/show_id/70452/show_type/v... )
While much of the discussion was fear-mongering and highly propagandistic, some of Hedges deeper insights made it more than bearable, despite being personally singled out by moderator Ian Masters to not be allowed to ask a question. An aside on Ian Masters: Mr. Masters considers having had Matt Taibbi on his show on KPFK to childishly impugn the 9-11 truth movement to be his journalistic contribution to uncovering the darker truths of 9/11. However, Masters is to be commended for directing me to ask Hedges about his take on the destruction of Building 7.
At about 3:30 into the video, Hedges responds to the question of
Jeremy Rothe-Kushel: "Ian said I should get your take on Building 7, because you were there."